Glowing In Darkness II — The Stokerdine Conspiracy
Glowing In Darkness II — The Stokerdine Conspiracy
Description
A Suspenseful and Fun Read from Stacy Stewart Smith
Allison's mother, Pearl Jones, owns the original plantation where her family ancestors were once slaves. She has been holding a secret that is key to the reason why her grandson Martin has LTDS — but never has an opportunity in her lifetime to tell her daughter. Ms. Jones also died with the secrets of a particular family heirloom in the form of an old clock crafted for the last French royals. The clock can house human spirits. Was that its original purpose when it was gifted to Marie Antionette? How did the priceless clock get into the hands of African slaves and end up on the dresser of Allison Jones Mugler-Burad?
Martin is now grown, and Charly Bergeron has released his Life Trance from the clock through DNA. The act has opened a portal between 2008 and 1978. Glowing In Darkness II takes a visit to 1788 Nouvelle Louisiana, where on the Opale plantation secrets that explain how Martin inherited his special gifts are revealed. Discover the truth about Charly Bergeron, the Reverend Mother Catherine Anastasia Dumas, and how each of the characters is connected to the Stokerdine Corporation and their conspiracy.
Details
- Format: Paperback
- Pages: 244
- ISBN-10: 1093856084
- Publication Date: June 11, 2019
- Dimensions: 5.5 x 0.61 x 8.5 inches
- Language: English
Care
Stacy Stewart Smith offers made-to-order garments, fine art, and digital publications — each requiring different care. Please refer to the product description for care and handling instructions specific to your purchase. For garments: dry clean or spot clean unless otherwise noted; do not machine wash. For fine art: keep away from direct sunlight and humidity; handle with clean, dry hands or cotton gloves. For digital products and publications: no physical care required; download and archive your files upon receipt.
Design
Every Stacy Stewart Smith piece begins as a drawing and ends as a decision — a deliberate choice of textile, construction method, and proportion made by a single designer with five decades of practice. The same eye that composes a painting composes a coat: line, weight, negative space, and the relationship between form and the body that inhabits it. Garments are produced in New York City, one at a time, to the measurements and preferences of the individual client. No two pieces are identical. No production run exists. This is not manufacturing — it is making.
The atelier sources textiles for their hand, weight, and longevity. Sustainability here is not a campaign. It is the natural consequence of making only what is wanted, from materials chosen to last, by a craftsman who will not put his name on anything less.