Atelier Academics con Stacy Stewart Smith — CAD de alta costura: Lentejuelas y paillettes digitales con Illustrator y Photoshop
$150.00
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Atelier Academics con Stacy Stewart Smith — CAD de alta costura: Lentejuelas y paillettes digitales con Illustrator y Photoshop
$150.00
Envío calculado en el pago.
Description
Couture CAD, Sesión IX: Lentejuelas y paillettes digitales con Illustrator y Photoshop
En esta sesión, Stacy Stewart Smith demuestra cómo representar digitalmente lentejuelas y paillettes utilizando Adobe Illustrator y Adobe Photoshop. Aprenderás a construir formas individuales de lentejuelas y paillettes con reflectividad precisa y curvatura dimensional en Illustrator, para luego crear superficies completas de tejido con lentejuelas con variación de luz, sombra y movimiento en Photoshop, capturando la deslumbrante calidad de las lentejuelas de alta costura que atrapan la luz.
Requisitos previos: Conocimiento práctico de Adobe Illustrator y Adobe Photoshop. Los diseños básicos no están cubiertos.
Duración: 2 horas 13 minutos
Al realizar la compra, recibirás un PDF descargable con la transcripción de la sesión, la URL de la grabación y las instrucciones de acceso.
Esta sesión forma parte de Atelier Académics Series II: Couture CAD con Stacy Stewart Smith.
Care
Stacy Stewart Smith offers made-to-order garments, fine art, and digital publications — each requiring different care. Please refer to the product description for care and handling instructions specific to your purchase. For garments: dry clean or spot clean unless otherwise noted; do not machine wash. For fine art: keep away from direct sunlight and humidity; handle with clean, dry hands or cotton gloves. For digital products and publications: no physical care required; download and archive your files upon receipt.
Design
Every Stacy Stewart Smith piece begins as a drawing and ends as a decision — a deliberate choice of textile, construction method, and proportion made by a single designer with five decades of practice. The same eye that composes a painting composes a coat: line, weight, negative space, and the relationship between form and the body that inhabits it. Garments are produced in New York City, one at a time, to the measurements and preferences of the individual client. No two pieces are identical. No production run exists. This is not manufacturing — it is making.
The atelier sources textiles for their hand, weight, and longevity. Sustainability here is not a campaign. It is the natural consequence of making only what is wanted, from materials chosen to last, by a craftsman who will not put his name on anything less.