Stacy Stewart Smith Menswear Couture Reformation image for Atelier Quarterly, vol. II, shows a black feather quill resting on an aged, torn parchment scroll, with a rolled scroll beneath, on a dark runway floor, with a bright white light glowing at the far end of a dark hall.

Atelier Quarterly Vol. II — Artículo de muestra: Manifiesto de la alta costura masculina

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Stacy Stewart Smith Menswear Couture Reformation image for Atelier Quarterly, vol. II, shows a black feather quill resting on an aged, torn parchment scroll, with a rolled scroll beneath, on a dark runway floor, with a bright white light glowing at the far end of a dark hall.

Atelier Quarterly Vol. II — Artículo de muestra: Manifiesto de la alta costura masculina

$2.00
Envío calculado en el pago.
Description

Un fragmento de Atelier Quarterly Vol. II: Couture Reformation — el manifiesto de la alta costura masculina de Stacy Stewart Smith.

Al finalizar la compra, recibirás un enlace para descargar tu fragmento en PDF. El volumen completo — 64 páginas, que incluye Kilt Reality, Why Windsor Pants?, the Gift Gallery y A Beautiful Life: Couture Coverings — está disponible ahora por $19.99 y se descarga inmediatamente después de la compra.

Este fragmento de capítulo es una descarga digital y la venta es definitiva. Todas las ventas no son reembolsables.

Obtén el Vol. II completo — $19.99

Care

Stacy Stewart Smith offers made-to-order garments, fine art, and digital publications — each requiring different care. Please refer to the product description for care and handling instructions specific to your purchase. For garments: dry clean or spot clean unless otherwise noted; do not machine wash. For fine art: keep away from direct sunlight and humidity; handle with clean, dry hands or cotton gloves. For digital products and publications: no physical care required; download and archive your files upon receipt.

Design

Every Stacy Stewart Smith piece begins as a drawing and ends as a decision — a deliberate choice of textile, construction method, and proportion made by a single designer with five decades of practice. The same eye that composes a painting composes a coat: line, weight, negative space, and the relationship between form and the body that inhabits it. Garments are produced in New York City, one at a time, to the measurements and preferences of the individual client. No two pieces are identical. No production run exists. This is not manufacturing — it is making.

The atelier sources textiles for their hand, weight, and longevity. Sustainability here is not a campaign. It is the natural consequence of making only what is wanted, from materials chosen to last, by a craftsman who will not put his name on anything less.

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