Stacy Stewart Smith Men's Noble Innocent Satin Dress Shirt with Detachable Ascot
Stacy Stewart Smith Men's Noble Innocent Satin Dress Shirt with Detachable Ascot
Description
Noble Innocent — a bias-cut polyester satin dress shirt with a mandarin collar, hidden button placket, embroidered edge geometric jabot detail, and a detachable self-tie ascot/cravat. Available in Flint (white ground) and Onyx (black ground). The bias cut gives the shirt a soft, body-following drape with the gentle give of a knit. The shirt captures the season’s La Belle Époque and Japonisme influences with effortless luminosity.
Each shirt includes a detachable self-tie ascot/cravat, cut on the matte reverse of the satin for a deliberate contrast in finish — luminous shirt, understated neckwear. Worn as a cravat, it is tucked inside the open collar without a pin for a relaxed yet polished look. Worn as an ascot, it is folded and displayed outside the collar, secured with a pin for a more formal presentation. The anti-shine reverse provides a refined counterpoint to the face of the fabric — a couture detail that distinguishes this piece from any other shirt in the market.
The shirt arrives beautifully boxed, made to order in New York City. Pair with the Grand Soir Persian Lamb Tuxedo Jacket and Faux Persian Lamb Pleated Windsor Tuxedo Pants for a complete formal statement.
Construction & Materials
Polyester satin, bias cut. Loop-clad mandarin collar with neck hook & eye. Hidden button placket. Embroidered edge geometric jabot. Detachable self-tie ascot/cravat cut on the matte reverse of the satin for contrast. Underarm shields included. Made to order in New York City.
Sizing
Cut on the bias for a soft, body-following fit. For a more generous fit, select one size larger or preorder a custom size. The sample is posed on a mannequin standing approximately 6'3", wearing a size L.
Size L chest specification: approximately 46" in circumference. Your chest must measure no more than 42" to comfortably fit a size L. Each size is approximately 2" smaller or larger in circumference; length is graded approximately 0.5" per size, HPS to hem.
| Alpha | US | EU | Neck | Chest | Sleeve | CB Length | Across Shld. |
|---|---|---|---|---|---|---|---|
| Small | S | 48 | 14.5" | 40" | 34" | 30" | 18" |
| Medium | M | 50 | 15.5" | 42" | 35" | 30.5" | 18.5" |
| Large | L | 52 | 16.5" | 44" | 36" | 31" | 19" |
| X-Large | XL | 54 | 17.5" | 46" | 36" | 31.5" | 19.5" |
Custom Size Preorder
If you require a size outside the standard range or prefer a custom fit, select Preorder from the size menu (the option without a listed size). Production is 15 to 30 days from receipt and payment clearance. A $35 surcharge applies to custom size preorders. After purchase, you will receive a link to the measurement form by email. A couture toile is draped from your measurements while materials are prepared.
Your Measurement Form is complimentary with any qualifying purchase of $300 or more from the Fall/Winter or Spring Summer collections. Enter code FORMFREE at checkout. One use per client.
Provenance & Delivery
Made to order in New York City. Shipped in a presentation box. Due to the bespoke nature of this garment, returns and exchanges are not accepted. Preorders are not refundable.
Care
Due to the delicate construction and fabrication of this garment, consult a luxury dry cleaner for best results.
Care
Stacy Stewart Smith offers made-to-order garments, fine art, and digital publications — each requiring different care. Please refer to the product description for care and handling instructions specific to your purchase. For garments: dry clean or spot clean unless otherwise noted; do not machine wash. For fine art: keep away from direct sunlight and humidity; handle with clean, dry hands or cotton gloves. For digital products and publications: no physical care required; download and archive your files upon receipt.
Design
Every Stacy Stewart Smith piece begins as a drawing and ends as a decision — a deliberate choice of textile, construction method, and proportion made by a single designer with five decades of practice. The same eye that composes a painting composes a coat: line, weight, negative space, and the relationship between form and the body that inhabits it. Garments are produced in New York City, one at a time, to the measurements and preferences of the individual client. No two pieces are identical. No production run exists. This is not manufacturing — it is making.
The atelier sources textiles for their hand, weight, and longevity. Sustainability here is not a campaign. It is the natural consequence of making only what is wanted, from materials chosen to last, by a craftsman who will not put his name on anything less.