A book or magazine cover titled "Atelier Quarterly Vol. I" featuring a close-up of a textured brown tweed double-breasted jacket on a black mannequin against a warm beige background, with white article text listed on the left.

Atelier Quarterly Vol. I: La Belle Époque Redux — Print Preorder

$49.99
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A book or magazine cover titled "Atelier Quarterly Vol. I" featuring a close-up of a textured brown tweed double-breasted jacket on a black mannequin against a warm beige background, with white article text listed on the left.
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Atelier Quarterly Vol. I: La Belle Époque Redux — Print Preorder

$49.99
Envío calculado en el pago.
Description

Vol. I in print — preorder.

Atelier Quarterly Vol. I: La Belle Époque Redux is the first collected issue of the atelier’s editorial journal, now being prepared as a 66-page physical magazine. Essays on menswear, construction, art, and the creative process make this an opening chapter to hold alongside Vol. II.

Print details

  • 66 pages
  • First printing of 50 copies shared across our stores
  • Expected to be available on or before October 13, 2026
  • This is a physical print magazine, not a digital download

Preorder: Your order reserves a copy from the first printing. Copies will ship after both the printed magazines and branded Atelier Quarterly boxes have arrived and orders are prepared for dispatch; October 13 is the expected availability date, not a guaranteed delivery date.

Already want to read Vol. I? The digital edition is available separately.

Care

Stacy Stewart Smith offers made-to-order garments, fine art, and digital publications — each requiring different care. Please refer to the product description for care and handling instructions specific to your purchase. For garments: dry clean or spot clean unless otherwise noted; do not machine wash. For fine art: keep away from direct sunlight and humidity; handle with clean, dry hands or cotton gloves. For digital products and publications: no physical care required; download and archive your files upon receipt.

Design

Every Stacy Stewart Smith piece begins as a drawing and ends as a decision — a deliberate choice of textile, construction method, and proportion made by a single designer with five decades of practice. The same eye that composes a painting composes a coat: line, weight, negative space, and the relationship between form and the body that inhabits it. Garments are produced in New York City, one at a time, to the measurements and preferences of the individual client. No two pieces are identical. No production run exists. This is not manufacturing — it is making.

The atelier sources textiles for their hand, weight, and longevity. Sustainability here is not a campaign. It is the natural consequence of making only what is wanted, from materials chosen to last, by a craftsman who will not put his name on anything less.

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