Stacy Stewart Smith Trunk Show Deposit
Stacy Stewart Smith Trunk Show Deposit
Description
To confirm an engagement, all hosts are required to submit the following fees at signing:
| Fee | Amount | Refund Policy |
|---|---|---|
| Model & Agency Deposit | $3,000 | Non-refundable under all circumstances. Agency contracts are binding upon booking. |
| Transportation Fee | $500 | Refundable only if cancellation is received 30 or more days prior to the event date. |
| Total Due at Signing | $3,500 |
Both fees are credited toward the minimum sales commitment at the event. Approximately 30 days prior to the event, all human resources are contracted and booked — this is when the fees are put to work. Hosts who cancel within 30 days of the event forfeit both fees in full. Fees are subject to adjustment based on the number of models and production staff required; all details are agreed upon at signing.
We cannot unilaterally reschedule an event. In the event of severe weather or a declared national emergency on or near the event date, we will work in good faith with all contracted parties and the host to find an alternative date. If rescheduling is not possible, a full refund will be issued. FOR MORE INFORMATION VISIT THE HOST PAGE.
Care
Stacy Stewart Smith offers made-to-order garments, fine art, and digital publications — each requiring different care. Please refer to the product description for care and handling instructions specific to your purchase. For garments: dry clean or spot clean unless otherwise noted; do not machine wash. For fine art: keep away from direct sunlight and humidity; handle with clean, dry hands or cotton gloves. For digital products and publications: no physical care required; download and archive your files upon receipt.
Design
Every Stacy Stewart Smith piece begins as a drawing and ends as a decision — a deliberate choice of textile, construction method, and proportion made by a single designer with five decades of practice. The same eye that composes a painting composes a coat: line, weight, negative space, and the relationship between form and the body that inhabits it. Garments are produced in New York City, one at a time, to the measurements and preferences of the individual client. No two pieces are identical. No production run exists. This is not manufacturing — it is making.
The atelier sources textiles for their hand, weight, and longevity. Sustainability here is not a campaign. It is the natural consequence of making only what is wanted, from materials chosen to last, by a craftsman who will not put his name on anything less.