Front cover of Atelier Quarterly Magazine Volume II, featuring a grayscale photo of a shirtless male model wearing pants with large gold title text at the top and article teasers below on a light gray background.

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Atelier Quarterly Magazine — Vol. II: Couture Reformation

$19.99

Spese di spedizione calcolate al check-out.

An Editorial Journal of Craft, Culture, and the Considered Life
By Stacy Stewart Smith — New York Atelier

Vol. II opens behind a Wedgwood Blue door on Chicago’s South Side and builds, across 66 pages, into a full argument for menswear couture as an artform.

Sample Article — $2.00
Digital download. Final sale — all sales non-refundable.

Table of Contents

Menswear Couture Manifesto — page 1
Why Windsor Pants? — page 14
Kilt Reality — page 24
The Gift Gallery — page 38
A Beautiful Life: Couture Coverings in Black — page 44
Behind the Couture Door — page 62

Availability:

Available as a standalone digital direct purchase and download — $19.99
Upon purchase, you will receive an email with a link to download your copy as a PDF
Early purchases will receive access prior to the September 2, 2026 release date

Start with Vol. I? Atelier Quarterly Magazine — Vol. I: La Belle Époque Redux is available now.

Stacy Stewart Smith offers made-to-order garments, fine art, and digital publications — each requiring different care. Please refer to the product description for care and handling instructions specific to your purchase. For garments: dry clean or spot clean unless otherwise noted; do not machine wash. For fine art: keep away from direct sunlight and humidity; handle with clean, dry hands or cotton gloves. For digital products and publications: no physical care required; download and archive your files upon receipt.

Every Stacy Stewart Smith piece begins as a drawing and ends as a decision — a deliberate choice of textile, construction method, and proportion made by a single designer with five decades of practice. The same eye that composes a painting composes a coat: line, weight, negative space, and the relationship between form and the body that inhabits it. Garments are produced in New York City, one at a time, to the measurements and preferences of the individual client. No two pieces are identical. No production run exists. This is not manufacturing — it is making.

The atelier sources textiles for their hand, weight, and longevity. Sustainability here is not a campaign. It is the natural consequence of making only what is wanted, from materials chosen to last, by a craftsman who will not put his name on anything less.