Stacy Stewart Smith Men's Black Gamma mink Sporran Pocket Bag front view hanging with gray backdrop.

Stacy Stewart Smith Men's Black Gamma Mink Sporran Wallet Bag

$1,425.00
セール価格  $1,425.00 通常価格 
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Stacy Stewart Smith Men's Black Gamma mink Sporran Pocket Bag front view hanging with gray backdrop.
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Stacy Stewart Smith Men's Black Gamma Mink Sporran Wallet Bag

$1,425.00
セール価格  $1,425.00 通常価格 
配送料はチェックアウト時に計算されます。
Description

A sporran is a traditional utility pocket worn at the front of a kilt — Stacy Stewart Smith reimagines this Scottish heritage piece as a modern luxury accessory. Crafted in sumptuous Black Gamma mink (USA-sourced) and lined in polyester satin, this one-compartment messenger-style bag is designed to carry essentials: a cell phone, keys, and a card holder. Worn across the body or hanging from the neck, it suspends from a matte black painted metal chain threaded with a black leather cord — a refined fusion of heritage and contemporary design.

Dimensions:
Height: 10" | Width: 6" | Depth: 1.75"
Interior Width: 4.75" | Interior Depth: 8"
Flap: 7" | Strap Drop: 21"

Care: Wipe gently with water. Use a soft to clean brush to clear the fur of debris. The bag needs the attention of a fur specialist annually. When not in use store the bag in a cool dry place in the dust-bag provided.

Care

Stacy Stewart Smith offers made-to-order garments, fine art, and digital publications — each requiring different care. Please refer to the product description for care and handling instructions specific to your purchase. For garments: dry clean or spot clean unless otherwise noted; do not machine wash. For fine art: keep away from direct sunlight and humidity; handle with clean, dry hands or cotton gloves. For digital products and publications: no physical care required; download and archive your files upon receipt.

Design

Every Stacy Stewart Smith piece begins as a drawing and ends as a decision — a deliberate choice of textile, construction method, and proportion made by a single designer with five decades of practice. The same eye that composes a painting composes a coat: line, weight, negative space, and the relationship between form and the body that inhabits it. Garments are produced in New York City, one at a time, to the measurements and preferences of the individual client. No two pieces are identical. No production run exists. This is not manufacturing — it is making.

The atelier sources textiles for their hand, weight, and longevity. Sustainability here is not a campaign. It is the natural consequence of making only what is wanted, from materials chosen to last, by a craftsman who will not put his name on anything less.

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