Stacy Stewart Smith Menswear Couture Reformation image for Atelier Quarterly, vol. II, shows a black feather quill resting on an aged, torn parchment scroll, with a rolled scroll beneath, on a dark runway floor, with a bright white light glowing at the far end of a dark hall.

Atelier Quarterly Vol. II — Article d’exemple : Manifeste de la couture masculine

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Stacy Stewart Smith Menswear Couture Reformation image for Atelier Quarterly, vol. II, shows a black feather quill resting on an aged, torn parchment scroll, with a rolled scroll beneath, on a dark runway floor, with a bright white light glowing at the far end of a dark hall.

Atelier Quarterly Vol. II — Article d’exemple : Manifeste de la couture masculine

$2.00
Expédition calculée lors du paiement.
Description

Un extrait de Atelier Quarterly Vol. II: Couture Reformation — le Manifeste de la Haute Couture Masculine par Stacy Stewart Smith.

Lors du paiement, vous recevrez un lien pour télécharger votre extrait au format PDF. Le volume complet — 64 pages, comprenant Kilt Reality, Why Windsor Pants?, the Gift Gallery, et A Beautiful Life: Couture Coverings — est disponible dès maintenant au prix de 19,99 $ et est téléchargeable immédiatement après l'achat.

Ce chapitre d'extrait est un téléchargement numérique et la vente est définitive. Toutes les ventes sont non remboursables.

Obtenir le Vol. II complet — 19,99 $

Care

Stacy Stewart Smith offers made-to-order garments, fine art, and digital publications — each requiring different care. Please refer to the product description for care and handling instructions specific to your purchase. For garments: dry clean or spot clean unless otherwise noted; do not machine wash. For fine art: keep away from direct sunlight and humidity; handle with clean, dry hands or cotton gloves. For digital products and publications: no physical care required; download and archive your files upon receipt.

Design

Every Stacy Stewart Smith piece begins as a drawing and ends as a decision — a deliberate choice of textile, construction method, and proportion made by a single designer with five decades of practice. The same eye that composes a painting composes a coat: line, weight, negative space, and the relationship between form and the body that inhabits it. Garments are produced in New York City, one at a time, to the measurements and preferences of the individual client. No two pieces are identical. No production run exists. This is not manufacturing — it is making.

The atelier sources textiles for their hand, weight, and longevity. Sustainability here is not a campaign. It is the natural consequence of making only what is wanted, from materials chosen to last, by a craftsman who will not put his name on anything less.

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