Atelier Académics with Stacy Stewart Smith — Couture CAD: Rhinestones and Crystals with Illustrator and Photoshop
Atelier Académics with Stacy Stewart Smith — Couture CAD: Rhinestones and Crystals with Illustrator and Photoshop
Description
Couture CAD: Rhinestones and Crystals with Illustrator and Photoshop
Atelier Académics — A Recorded Seminar by Stacy Stewart Smith
In this recorded seminar, Stacy Stewart Smith walks through the art of rendering luminous rhinestones and crystals digitally — from precise facet construction in Adobe Illustrator to the depth, brilliance, and prism effects achievable in Adobe Photoshop. Multiple stone cuts are explored, each built with attention to geometry, light behavior, and couture-level finish. The recording also covers efficient workflow practices for applying crystal embellishments across fashion flats.
Recommended familiarity: Adobe Illustrator and Adobe Photoshop. Basic flats are not covered in this recording.
Duration: 1 hour 44 minutes.
Upon purchase you will receive a downloadable PDF containing your Webex recording link and access instructions. Access is granted for 30 days from the date of purchase.
Select seminars augment the techniques introduced in CAD for Fashion Design and Merchandising (Bloomsbury Publishing, Stacy Stewart Smith).
This seminar is recorded and presented in English only.
This is an independent recorded seminar by Stacy Stewart Smith and is not affiliated with, endorsed by, or accredited by any academic institution. No academic credit is awarded.
Care
Stacy Stewart Smith offers made-to-order garments, fine art, and digital publications — each requiring different care. Please refer to the product description for care and handling instructions specific to your purchase. For garments: dry clean or spot clean unless otherwise noted; do not machine wash. For fine art: keep away from direct sunlight and humidity; handle with clean, dry hands or cotton gloves. For digital products and publications: no physical care required; download and archive your files upon receipt.
Design
Every Stacy Stewart Smith piece begins as a drawing and ends as a decision — a deliberate choice of textile, construction method, and proportion made by a single designer with five decades of practice. The same eye that composes a painting composes a coat: line, weight, negative space, and the relationship between form and the body that inhabits it. Garments are produced in New York City, one at a time, to the measurements and preferences of the individual client. No two pieces are identical. No production run exists. This is not manufacturing — it is making.
The atelier sources textiles for their hand, weight, and longevity. Sustainability here is not a campaign. It is the natural consequence of making only what is wanted, from materials chosen to last, by a craftsman who will not put his name on anything less.